Let's Get Native

Author: Taryn-Lee Biggar
print email comment [ 0 ] share
 
 
Previous Play Next

Native Rhythms Records and EMI Music / CCP Records recently announced that they've entered into a joint venture agreement with the longterm vision of nurturing new South African talent.

Sithole - former Gallo Deputy CEO - resigned from the label in September 2005 to form his own, all-encompassing company, Native Rhythms, which houses a record company, a publishing wing, an events arm and a film and documentary division! [Native Rhythms Productions]

Sipho Sithole [Left] and Son [Right]

Sithole’s successes are outstanding. By the time he parted ways with Gallo Record Company in 2005, the company had recorded its first profit since 1998 and  he had turned the local division around completely, including launching Thandiswa Mazwai's solo career. Thandiswa has created a distinctly Afro-Soul sound that has earned her numerous awards and international acclaim. Having nurtured Simphiwe Dana, and catapulting Afro-Centric Hip-Hop to centre stage through his work with Skwatta Kamp and Pro Kid, Sithole has identified genres with the potential for breaking international boundaries.

"Afro-Soul and an Afro-Centric Hip-Hop as the strongest calling card we have on the international market – and the success of artists like Skwatta Kamp, Simphiwe Dana and Thandiswa Mazwai here in South Africa means that homegrown audiences, who are an extremely important part of vision, have connected with these genres too," explains Sithole.

As head of Native Rhythms, and through the joint venture with EMI/CCP, the next step for Sithole is to extend this visionary approach to the rest of the industry and ensure suitable collaborations between producers, composers and song writers with the artists signed to the label.

"It’s my belief that identifying genres that can make the leap internationally and matching young and gifted artists with the right producer is the next step in the right direction," says Sithole.

On the 16.05.2006 Native Rhythms Records, together with EMI Music and CCP Records hosted an exclusive showcase of recent signings to the Native Rhythms label, owned by the former Deputy CEO of Gallo Records.

The showcase featured the debut public performances from Afro-Soul specialists Musa Mashiane, Siphokazi and Afro-Centric Hip Hop artists ZuluBoy and Maggz. The artists will be amongst the first to be released through the groundbreaking joint venture between Native Rhythms and EMI / CCP, with a view to penetrating the global music scene.

Music Industry Online caught up with the visionary - Sipho Sithole - and asked him a few Native related questions ...

Tell us a bit about yourself, what does it entail being the CEO of Native Rhythm Records [NRR]?

A CEO needs to possess an understanding of the music business and music administration as well as have adept insight and understanding of artists’ needs, potential and the ability to develop that potential. My position requires me to network with music industry role players, such as retail, media, promoters, producers, song writers, and technical experts and ensure that artists, the company and business partners [retail and joint venture partners] are rewarded with profits. It is ultimately about discovering good artists to deliver a successful product to the market, both locally and abroad.

ZuluBoy left his hometown of Durban after finishing matric in 2001 for Johannesburg to study and start his musical training at Dorkay house. He later returned home and got involved with Kwazulu-Natal's Hip Hop movements, such as Inqaba Hip Hop sessions and Ukhozi FM [South Africa’s biggest radio station] for over a year.

From the responses on Ukhozi FM he landed a performance at 20th Reed Dance Annivessary and Flux Festival. ZuluBoyhas shared the stage with SA’s top hip-hop artists like Proverb, Zubs,Skwatta Kamp, Amu, Selwyn and Pitch Black Afro.

The artist is based in Johannesburg and after a blazing performance at the 1st African Hip Hop Summit Concert, ZuluBoy has been invited to Vancouver [Canada] at the 2nd global Hip­Hop Summit and Concert in June of 2006. ZuluBoy is in studio crafting his debut album working with world class producers under a record label, Native Rhythyms.

What was the motivation for the formation of NRR and what are its objectives?
Native Rhythms Records was formed with a clear objective to occupy a significant space in the recording industry and to identity, nurture and present local talent whose music is unique and appeals to a global audience.

Tell us a bit more about the NR / EMI / CCP partnership?
The partnership is both a commercial and cultural partnership in the sense that the commercial deal is supposed to bring financial benefit to Native Rhythms Records and EMI/CCP.  The partnership is both a Joint Venture and a Distribution Deal, the implications being that certain artists and products will be categorised as part of the joint venture, whilst others will fall under the Distribution Deal.

It is a cultural partnership in the sense that both parties share the same vision and belief in the development of South African music and presenting it to the local and global market.

How does Native Rhythms differ from other record labels in SA?
Native Rhythms Records differs from the rest in terms of its product offering:  it focuses mainly on Afro-Soul and Afro-Centric Hip-Hop.  Both genres have not been fully developed in South Africa and were first given a platform at Gallo Records when I signed artists such as Thandiswa, Simphiwe Dana, as well as hip-hop outfits such as Pro Kid,  Skwatta Kamp and Mr. Selwyn.

Gift Magubane a.k.a Maggz was born and bred in Soweto and has been rapping and establishing himself for a decade; paying his dues in the hip-hop game and comfortable enough to embark on a solo venture.

Maggz's debut album is due for release next summer. His production team includes KB and Omen who has produced hit singles for the likes of Flabba, Pro Kid and the Hidden Force.He was featured on the underground mixtape where he worked with Skwatta Kamp under the crew Young Blood.

His first song on radio was 'Boys Girls' on the Metro FM Open Mic Set and reached the #1 spot on the Unsigned Hip Hop Top Ten. He has been featured on the Imbizo Mixtapes with Young Nations and Prokid and has managed to shoot his first video for a track called 'Proverbs' without an officially released album to his name!

Having featured on Prokid's album [Heads and Tales], this star turn has also valuably contributed to the Tsotsi Soundtrack nominated for the 2006 Oscar Awards.

Which prominent issues do South African record companies like Native Rhythm Records face?
Piracy and a lack of interest from South Africans in terms of buying local music.

How many artists are currently signed to your label?
Four!

Musa Mashiane started singing at the age of 9 at school and in church. By the time he turned 16, he had formed a group with three friends called GP.In 2005, he enrolled to study Popular Music at Central Johannesburg College, Majoring in Vocals and Guitar.

At the end of the year, Musa Mashiane was the overall winner at the CJC's Annual Student Showcase, where he was spotted by the former Deputy CEO of Gallo - Sipho Sithole - who happened to be one of the guest judges on the panel. Musa was offered a recording deal by Sithole under the newly formed label Native Rhythms Records. Musa's vocal capability is a blend of Donny Hatherway, John Legend, Jamie Callum and some influences of Ella Fitzgerald and Nina Simone.

Already an accomplished composer, having composed a few songs for his upcoming debut album, Musa is ready to drop his album in the 3rd quarter of 2006 and is expected to work with top producers.

Name at least three key standards aspiring artists need to meet in order to be signed by NR?
All artists need to have talent but above and beyong this Native Rythyms looks for artists possessing passion and a willingness to be nurtured and developed to their full potential.

How and where can artists submit material to you for consideration?
We make a point of actively identifying and recruiting talent at events.We're actually not taking on any material for the duration of this year

Tell us some of your thoughts on the South African music industry?
We need to improve on legislation dealing with piracy, provide medical aid and insurance for professional artists and musicians, create synergies between independent record companies and the Recording Industries of South Africa, settle the debate on issues such as needle time and finally - capaitalise on our artists potential!

Siphokazi Maraqana was a pre-centre at school, meaning she was the one who started all the songs at the General Assembly, before the school started classes; Siphokazi received numerous awards as the school songstress.

 

Having relocated from the Eastern Cape to Johannesburg in 1999, Siphokazi joined the Sibikwa Community Theatre Project, studying basic theory in music before enrolling at East Side College [now Parktown College] to further her music career.

Siphokazi's vocal capabilities were quickly noticed and she joined Bheki Khoza on an overseas tour of japan before joining the Village Pope, Tshepo Tsola. She has been singing professionally since then and has featured in big projects such Sophiatown [the movie], the Princess Magogo Project [yet to be released] and on Pat Matshikiza's album where she led in the song 'Vula Mama'.

Siphokazi is influenced by Dolly Rathebe, Dorothy Masuka, Dorinda Clark, Stevie Wonder and Busi Mhlongo.. She will be dropping her Afro - Soul album in the last quarter of 2006.

Native Rhythms Productions has previously organised the African Hip Hop Summit, what major events can we expect from the production company this year?

  • B-Connected Global Festival 2006
  • Hip-Hop Boot Camp 2006
  • Young Heroes: International Bhambatha Youth Concert

Thanks Sipho !

Sipho Sithole is a leading corporate executive in South Africa and sits on various boards of companies, including Airports Company of South Africa [the leading airport authority which owns and operates the country’s 9 airports], Momentum Group [a subsidiary of First Rand Limited – one of the 4 major banking groups in South Africa].

Sipho Sithole studied Politics and International Relations in America at Lincoln University of Pennsylvania, and completed a M.Sc. Degree in Human Resources and Industrial Relations in England, at the London School of Economics and Political Science.

Sipho is an accomplished record company executive, music composer, award winning music producer [Best Producer at the 2005 South African Music Awards] and music director, documentaries producer and director, concerts and events organiser and producer.

Sipho Sithole is a Director and founder of Native Rhythms Productions.  Native Rhythms Productions is a fully integrated entertainment company, formed in 1998 to offer value-oriented services across the entire entertainment industry’s value chain.   

The company’s strategic thrust is music publishing, music production, music marketing and promotion, licensing and distribution.  Native Rhythms has also built capacity project management, events planning and production, such as concerts and big corporate and public functions. Recently, the company has entered the film industry through the production of niche documentaries focusing on cultural related rituals, as well as popular youth-oriented cultural events, such urban extreme games and popular urban music.

The company was founded on the belief that entertainment, through music and other forms of artistic expression, it is possible to communicate with people of all races and cultures and that that competing ideologies could be brought together whilst bridging cultural and racial divides.

HIGHLIGHTS OF PROJECTS COMPLETED BY NATIVE RHYTHMS

2001  Johannesburg International Arts Alive Festival
Native Rhythms Productions was commissioned by Johannesburg Arts, Culture and Heritage to produce a series of concerts that paid tribute to musicians who laid the foundation for South African music and whose hit songs of the 70’s and 80’s gave birth to new sounds and new artists.  The concert featured young musicians artistically demonstrating their understanding and appreciation of past artists and their influence to present young musicians, hence the young artists did a rendition of old songs dating as far back as 70’s and 80’s. 

2002 Johannesburg International Arts Alive Festival
The success of the previous concert led to Native Rhythms Productions being commissioned to produce the concert again in 2002.  The idea was to produce a rich assemblage of the old through the young, by combining fresh hip vocals with the mournful, yet hopeful timbre of old music, braiding both into new songs with the early texture, ample thickness, and conductive energy of the then artists who composed and performed the songs at that time.

2003  The Rebellion Concert [Remembering 1906]
The rebellion concert was a tribute to iNkosi Bhambatha ka Mancinza who fought against the imposition of Poll Tax in 1906 and the concert featured the group Bambata with more than 13 guest artists demonstrating their appreciation for those who fought for the emancipation of African people.

2004  Festival in Celebration of the 2010 World Cup Announcement
Native Rhythms Productions was commissioned by the City of Johannesburg and the Johannesburg Development Agency to produce and manage the celebrations marking the anticipated award to South Africa to host the 2010 Soccer World Cup.  The event was covered by CNN, BBC and SABC in May 2004.

2005  Heritage Day Cultural Festival
Commissioned by the City of Johannesburg, Johannesburg Development Agency, Johannesburg Arts, Culture and Heritage and Sports and Recreation to produce and management the Heritage Day Celebrations, attended by the Mayor of Joburg, the Mayor and MEC’s, VIPs and more than 5 thousand people.  Native Rhythms has been approached to organise similar, but small events, on a weekly basis leading to the next Heritage Day Celebrations.

2005 United Nations 1st African Hip-Hop Summit for Youth under Siege
The event was organized by Native Rhythms Productions in partnership with UN-HABITAT. UN-HABITAT is the lead UN agency for housing and urban development and is task manager of two of the Millennium Development Goals [MDG]: access to water and sanitation and improving the living conditions of slum dwellers. Both these targets have a major impact on the other goals of reducing poverty and HIV/AIDS, empowering women, and promoting universal access to health care and education. 

2006 Hip-Hop Boot Camp for Amathole Economic Development Agency - East London
Native Rhythms Productions has been commissioned by Amathole Economic Development Agency to develop a product and concept that will draw youth from across the country to East London during the week-end of June 16 to attend a 3-day boot camp.  The boot camp is designed to provide a series of entertainment activities, ranging from urban extreme games, music workshops, hip-hop film festival, and ending with a hip-hop picnic and festival.

 

In all of the above events, Native Rhythms Productions has developed the following techniques with regard to project management and event production:

PROJECT MANAGEMENT

  • Project Planning
  • Project Scoping
  • Project Costing
  • Project Team and Resources
  • Project Risk Analysis
  • Project Tracking and Monitoring
  • Project Execution
  • Project Completion and Reporting

EVENT PLANNING

  • Site Layout Plan/Map[including entry and exit points]
  • Hospitality Marquee
  • Toilets Requirements
  • Stage Planning
  • Production Scheduling
  • Security Requirement
  • VIP Protection Services
  • Joint Operations Centre [JOC]
  • Venue Operations Committee
  • Media Liaison and Partnership
  • Stakeholder Liaison
  • Marketing and Advertising
  • Critical Risk Areas
  • Road and Traffic Control [cordoning/fencing off]
  • Emergency Services [ambulances, fire brigade, etc.]
  • Catering Requirements and Food Vendors
  • Parking

 

Apart from running his own company, Native Rhythms Productions, Sipho Sithole was until September 2005, Deputy CEO of Gallo Music Group – South Africa’s only major record label.  As Deputy Chief Executive Officer of Gallo Music Group, Sipho was instrumental in the financial turn around of Gallo Records within two years of joining the group in 2003, after an aggressive investment in the development of local content.

Physical and Postal Address

137 – 12th Street
Parkhurst
Johannesburg
2193
Tel/Fax +27 11 447 1947
Mobile:  +27 83 299 5550
sipho@iafrica.com
www.nativerhythms.co.za

 
comments
 
 
 

This article contains no Comments.

 
 
 

 

 
submit comment

All comments must be approved by our editors, click here to read the editorial guidelines for comments. Please allow some time for our editors approve your comment after posting.
 
Required Fields
 
 
 
Please enter the text you see in the image below:

Verification Image


 
 
>